Sir William Hamilton, a widower of mature years, is British ambassador to the Court of Naples. Emma who comes for a visit with her mother wouldn’t cut the grade with London society but she gets along well with the Queen of Naples. Emma likes being Lady Hamilton and life goes smoothly until Lord Nelson pays a visit. Sir William decides at first to let his young wife have her fling and pretends not to know what is going on. But the real life lovers, whose first screen romance was in “Fire Over England” (1937) have an even more burning passion for each other in this film.

Raghunandan is a billionaire and a big business Magnet based in Milan of Italy. He however is unhappy and wishes to reconcile with his estranged daughter Sunanda whom he sent out of his home because she married a Pleader Rajasekhar against his wishes. His grandson Gautham Nanda promises Raghunandan that he would bring his Atha to their home on his Birthday. Sunanda has 2 Daughters Prameela and Sashi. Gautham enters the house as Siddhu, a driver who was appointed after saving Rajasekhar from a Heart stroke. Gautham woos Prameela but his game ends after he comes to know that Prameela is already in love. Sashi turns rival to Gautham and is suspicious of him and Paddu his friend and male nurse appointed to take care of Rajasekhar.

A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom’s most famous movie. Reunited, the women must fight off the film’s maniacal killer.

Rachel arrives in New York from her Amish community intent on becoming a dancer. Unfortunately Billy Minsky’s Burlesque is hardly the place for her Dances From The Bible. But the show’s comedian Raymond sees a way of wrong-footing the local do-gooders by announcing the new Paris sensation “Mme Fifi” and putting on Rachel’s performance as the place is raided. All too complicated, the more so since her father is scouring the town for her and both Raymond and his straight-man Chick are falling for Rachel.

Consignment is the authentic and brutal story of an East Coast drug dealer forced to flee to California only to realize state lines don’t erase past sins.

Mort Rainey, a writer just emerging from a painful divorce with his ex-wife, is stalked at his remote lake house by a psychotic stranger and would-be scribe who claims Rainey swiped his best story idea. But as Rainey endeavors to prove his innocence, he begins to question his own sanity.

When young and successful reporter Jamie finds out that her sister has died in mysterious circumstances, she travels to Singapore to uncover the truth. There, she discovers multiple deaths linked to her sister’s and must join forces with her sister’s husband in order to defeat a demonic entity that is using new technology to complete an ancient mission.

Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a “sanitary engineer” (plumber) by the name of Marshal P. Knutt is mistaken for a law marshal! Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids – revenge-seeking Annie Oakley and his sanitary expertise

Two best friends, Red and Blue, risk everything to find the greatest treasure of all time.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

It’s 1961. Two servicemen smuggle a box of military gear to USA. Leroy tries out a military camera and accidentally takes a picture of some military facilities. Army finds one of the pictures and thinks they’re communist spies.

When Quinn, a grouchy pilot living the good life in the South Pacific, agrees to transfer a savvy fashion editor, Robin, to Tahiti, he ends up stranded on a deserted island with her after their plane crashes. The pair avoid each other at first, until they’re forced to team up to escape from the island — and some pirates who want their heads.